Pluralistic: IP can't save you from AI (18 Aug 2026)

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Originally published at: Pluralistic: IP can’t save you from AI (18 Aug 2026) – Pluralistic: Daily links from Cory Doctorow



Today's links


The rubble after the 1906 San Francisco quake/fire. Lying in a vast heap is a pile of dead knights in armor. Crashed into the ground is a Spirit Airlines jet. Looming up from behind a shattered building is the Android droid.

IP can't save you from AI (permalink)

You don't have to believe that AI "art" is any good (I don't), nor do you have to believe that AI "art" can be any good (I don't) to understand that the reason that the capital markets are putting trillions into AI is that they believe they can fire workers of every kind and replace them with AI:

https://pluralistic.net/2025/03/18/asbestos-in-the-walls/#government-by-spicy-autocomplete

I'm an artist and a worker. I want to protect my labor interests. So do my peers from across the "creative industries." But a sizable group of my peers think the way we're going to protect our interests is by expanding copyright so that it's unambiguously illegal to scrape the internet, analyze the files retrieved by those scrapers, and publish that analysis (a process more familiarly known as "training AI"):

https://pluralistic.net/2023/09/17/how-to-think-about-scraping/

This is a losing strategy. First, because banning scraping, or requiring permission to count the elements in creative works, or demanding a license to publish collections of facts about copyrighted works will inflict enormous collateral damage on a wide variety of socially beneficial activities. From the OED to search engines to the Internet Archive, so many beneficial activities rely on the fact that copyright permits unlicensed collection and analysis of every copyrighted work as a single, massive corpus, and copyright allows the publication of that analysis without permission from the creators of the works it analyzes.

A lot of people who are (rightfully) very angry about AI dispute this. They believe that they can craft an "AI training" law that would ban scraping, analysis and publication when these activities are part of AI training, but not when they're undertaken for a benign purpose. I am very, very skeptical of this. After 25 years of watching internet policy go badly awry, to the great detriment of workers of all kinds and everyday users, it is my professional, considered opinion that drafting a statute that only stops these "bad" activities is much, much harder than these people think, and may actually be impossible.

I think some artists advocating for a copyright-based solution to AI's war on labor understand this and have decided that they're willing to catch a lot of dolphins in these legal tuna-nets they're hoping to get from Congress. I get that: there are always trade-offs, and the perfect can't be the enemy of the good.

But I think they're making the wrong trade-off, and not just because I value archives, accountability corpuses, large-scale linguistic research and search engines. I think they're making the wrong trade-off because copyright will not protect their livelihoods from AI-based wage erosion.

Here's why: the theory of copyright as an "artist's right" is premised on the idea that we artists get these exclusive rights, which we use in our bargaining with media companies and other intermediaries. It's a (pseudo) property right, and it's sub-licensable. Just as an entrepreneur might get the contract to supply catering for a sports stadium and then parcel out the pretzel stand, beer bar, and pizza concessions to subcontractors, we're meant to sell our English rights, foreign language rights, graphic novel rights, film rights, audio rights, (and so on) to a variety of media companies.

To bargain successfully, it's not only necessary for you to have something valuable to trade: you also need to have leverage. You need to have options. The other side has to believe that if they lowball you, you will go do a deal elsewhere.

This is where copyright fails to serve creative workers. Even at the best of times, the world naturally produces an oversupply of would-be professional artists, and a sufficiency of the talented to fill most of the workaday niches in our field. Even exceptional artists – and exceptional works of art – are often commercial flops, for reasons that aren't always well understood (though sometimes it's a self-fulfilling prophecy, where a media company buys the rights and then loses confidence in the work and does not exert itself in the marketing of the work).

These are not the best of times. Decades of lax antitrust enforcement has boiled the "creative industries" down to 5 publishers, 4 studios, 3 labels, 2 app stores, and one company that's in charge of all the ebooks and audiobooks.

Since the 1976 Copyright Act, Congress has acted time and again to broaden copyright. Today's copyright lasts longer, restricts more uses, extends to more kinds of works, and carries stiffer statutory penalties for infringement ($150,000 per download!). The media companies we creative workers bargain with are larger, richer and more profitable than at any time in history – and we are poorer. The share of those massive profits that ends up in our pocket is lower than ever – and we don't just get smaller slices of that larger pie, those slices are smaller than the slices we used to get, when the pie was much smaller. The rising tide of copyright expansion lifted our bosses' boats – even as our dinghies filled with bilge and sank.

How could we get so much more to bargain with, only to bargain it all away, for less money than we used to get for a much smaller bundle of rights? Simple: giving us rights did not give us leverage. Giving us more rights without giving us more bargaining power is like giving your bullied schoolkid extra lunch-money. There's no amount of lunch-money that will get that kid fed; but if you keep increasing how much money the kid gets, the bullies will end up so rich that they can afford to run a global campaign demanding that we all think of those poor hungry kids and send them even more lunch money.

Copyright's failure to deliver for creative workers doesn't mean that we're doomed to poverty. Our works are generating record profits for our bosses, and there are plenty of ways to change the "distributional outcomes" (the phrase economists use for "who gets what") in arts/labor policy. In 2022, I co-wrote Chokepoint Capitalism along with the eminent Australian copyright scholar Rebecca Giblin. The whole book is full of these pro-worker arts policies:

https://pluralistic.net/2022/08/21/what-is-chokepoint-capitalism/

Rebecca and I start from the premise that artists are workers, not the small businesses that our bosses insist we see ourselves as. The idea that an artist is an LLC with an MFA fits in very neatly with copyright: you're getting this bundle of exclusive rights from Congress and then you bargain, business-to-business, with other companies out there in the world, selling those rights for the best price you can get. This approach rarely works, and when it does, it works badly. 50 years of more copyright, richer bosses, and poorer artists put the lie to the "LLC with an MFA" approach.

If we're workers, then we derive our power from labor rights. The Writers Guild – the only creative workers in world history to have comprehensively beaten AI in their workplace – won their AI fight with a strike:

https://pluralistic.net/2023/10/01/how-the-writers-guild-sunk-ais-ship/

The Hollywood guilds are able to pursue a limited form of "sectoral bargaining" (where all the workers in a field bargain with all its bosses) called "multi-employer bargaining." Bosses hate sectoral bargaining, and in 1947 they got it banned outright through the Taft-Hartley Act.

Getting other kinds of creative workers into multi-employer bargaining arrangements will be a lot of work – and repealing Taft-Hartley and restoring sectoral bargaining will be even harder. But just because it's hard to do the thing that works, it doesn't follow that we should do the easy thing that doesn't work.

Compared to winning more labor rights, getting more copyright will be easy. That's because our bosses want more copyright. When we demand more copyright, our bosses – the most powerful, profitable media companies in human history, grown rich off our labor – will fight alongside of us.

But media companies don't want to stop AI from depriving us of our wages. Quite the contrary! The whole reason that the Writers Guild had to go on strike was that movie studios – not Openai or Anthropic – wanted to replace them with AI. The same studios that are suing the AI companies for "mass copyright theft" have made it very clear that they want to buy chatbots from those AI companies and use them to erode our wages and thin our ranks. The copyright lawsuits our bosses are waging against the AI companies are intended to force tech companies to pay for licenses before they train their chatbots on our work. But they won't be paying us for those licenses – they'll be paying our bosses.

The AI copyright fight isn't being fought to protect your wages – it's being fought to see whether your lost wages end up in the pockets of a tech boss or a media boss. AI copyright suits are a fight over who's going to get the lion's share when they eat you up for dinner. They're not a way to keep you off the menu.

This becomes more obviously true with each passing day, and this morning, the world got its clearest example of what a poor substitute copyright is for fundamental human rights, like labor rights and privacy rights.

Last year, Spirit Airlines went bankrupt, a casualty of a monopolized aviation sector and Trump's oil price surge. Ever since, vultures have circled its carcass, picking off its assets in a string of auctions conducted by Spirit's bankruptcy trustees. Today, those trustees announced that they had sold all of Spirit's employees' data to Google, for use in AI training:

https://www.axios.com/2026/08/17/google-spirit-airlines-bankruptcy

Every email, every memo, every calendar entry. Oceans of sensitive, personal information, all to be shoveled directly into the bottomless maw of Google's AI training systems. This training data includes messages between colleagues and with outside parties about workers' romantic lives, their health, their family situations. These workers' most private lives will end up as fodder for a Google chatbot.

Now, all of these workers have a copyright in all of that work. Under international copyright treaties and US law, copyright "inheres at the moment of fixation of a work of human creativity." The very instant a worker sets fingers to keyboard and types out a message with even the smallest quantum of creativity, a new copyright springs into existence, giving the copyright holder 90 years' worth of control over it.

But even though every one of those emails and messages and memos was written by a human being working for Spirit, the copyright over those works does not belong to the workers. Every single one of them will have signed an employment agreement that designates their emails and other copyrightable work as "works made for hire," owned by Spirit Airlines, which means that their work is now an asset in Spirit's bankruptcy estate. That's why all that personal information is about to be transferred to a new corporate owner, Google, who can do anything they want with it.

We know how terrible this kind of disclosure will be for workers. In 2001, the criminal enterprise Enron collapsed after the extent of its fraud was revealed. In the ensuing litigation, Enron's bankruptcy overseers decided that it was too expensive to purge the company's email servers of personal information before entering it into evidence. That meant that once the court battles were over, all the Enron employees' emails entered the public domain as part of the court record:

https://en.wikipedia.org/wiki/Enron_Corpus

The "Enron Corpus" is a foundational data-set in modern computer science. Academics analyzed the data to do pioneering work on machine learning and social graph theory, which found its way into the design and operations of social media companies, who learned how to spot and manipulate social connections by studying it.

The Enron Corpus isn't just a data-set, though. It's a privacy catastrophe, full of sensitive personal information that haunts the 158 employees whose correspondence is now permanently afloat upon the internet.

Why was the Enron Corpus so exploitable? Because US labor law does not protect this kind of sensitive information when it is in your employer's hands. In fact, if your boss ends up with a trove of your personal information in the form of emails, calendar entries and files, you will typically be blamed for it: "Why did you use your work computer for personal activities?"

But anthropologists who study computer usage have known for decades that everyone ends up with personal data on their work devices. What's more, this problem is only getting worse, because (thanks to weak labor laws), we're expected to work longer hours and to be on call when we're not at the job, which means that you're often dealing with personal crises after hours from your desk, and dealing with work crises at home from your sofa.

Any fit-for-purpose labor rights regime would recognize that your privacy rights must extend to the data that finds its way onto your boss's computers, even if you put that data there. Any failure to recognize this bedrock fact gives employers free license to plunder and exploit your personal information.

Of course, labor law isn't the only way to protect private information. While labor law should contain explicit, job-related privacy guarantees, privacy law should protect all our privacy (after all, Spirit's servers are also full of emails and messages from Spirit's passengers).

Unfortunately for anyone who ever flew on Spirit – or anyone who worked for them – American privacy law is all but dead. America's last consumer privacy law went into effect in 1988, when the Video Privacy Protection Act made it illegal for video-store clerks to disclose your VHS rental records.

Google says it won't use your profile or frequent flier info to train its model, but they haven't made the same promise about the millions of messages that passengers exchanged with the airline. Google has also promised to use "de-identification" algorithms to purge the Spirit customer, supplier and employee data of personal information. But "de-identification" is a pipe-dream, widely understood by security experts as a form of wishful thinking by companies that want to exploit your personal information while still insisting that they aren't violating your privacy. In reality, "de-identified" data is always vulnerable to "re-identification" attacks:

https://pluralistic.net/2021/04/30/dox-the-world/#experian

The collapse of privacy and labor rights in post-Reagan America and the mass expansion of copyright over the same period are part of the same phenomenon, aspects of two generations' worth of policies designed to benefit capital at the expense of workers, and corporations at the expense of consumers.

As consumers, we're told to substitute shopping for legal rights: if a corporation wrongs you, it's easier and quicker to "vote with your wallet" than it is to sue them or ask the government to intervene. Substituting shopping for politics has been a total failure. Shopping your way out of a monopoly is like recycling your way out of a wildfire:

https://pluralistic.net/2026/05/21/purity-culture/#stop-fucking-that-chicken

As creative workers we were told to stop thinking of ourselves as workers altogether, to become small businesses, and to use the LLC With an MFA method to bargain our way out of exploitative arrangements. This, too, has been a failure:

https://pluralistic.net/2026/03/03/its-a-trap/#inheres-at-the-moment-of-fixation

The sale of Spirit's data to Google for AI training shows us that privacy and labor rights are indispensable. We can't substitute market mechanisms like comparison shopping or individual contract negotiations for broad, systemic, inalienable rights backstopped by law.

By demanding the copyright our bosses love, we're seeking the right to be angry about AI, even as the AI companies and our bosses cut deals to train chatbots with our work, which they will use to attack our livelihoods.

Once we stop pretending to be small businesses, once we abandon the fantasy of LLCs with MFAs, we can join with every worker in every industry in demanding sectoral bargaining; and with every consumer in demanding privacy rights. Winning privacy and labor struggles means more than the right to be angry about AI – that's the right to do something about it.

Hey look at this (permalink)


A shelf of leatherbound history books with a gilt-stamped series title, 'The World's Famous Events.'

Object permanence (permalink)

#25yrsago IP and scientific publishing https://web.archive.org/web/20011001203058/http://www.abc.net.au/rn/talks/bbing/stories/s345514.htm

#20yrsago British air travelers kick brown “terrorists” off their planes https://web.archive.org/web/20060823104858/http://www.dailymail.co.uk/pages/live/articles/news/news.html?in_article_id=401419&in_page_id=1770&ico=Homepage&icl=TabModule&icc=NEWS&ct=5

#15yrsago “Probability neglect”: why policy-makers are constitutionally incapable of formulating evidence-based anti-terrorism policy https://web.archive.org/web/20111015040753/https://opim.wharton.upenn.edu/risk/library/J2011OBHDP_APM,AT,HK_PolicymakersDilemma.pdf

#15yrsago TSA can’t explain why “enhanced patdowns” are legal https://web.archive.org/web/20151203033820/http://flyingwithfish.boardingarea.com/2011/08/18/the-legality-of-the-tsas-enhanced-pat-down-authority/

#15yrsago The Onion: We did a paywall because British people like paying for the Web https://web.archive.org/web/20110911175335/http://www.avclub.com/articles/about-the-onions-new-paid-content-system,60129/

#5yrsago Hench https://pluralistic.net/2021/08/19/failure-cascades/#natalie-zina-walschots

#5yrsago Machine learning's crumbling foundations https://pluralistic.net/2021/08/19/failure-cascades/#dirty-data

#1yrago Charlie Jane Anders' "Lessons in Magic and Disaster" https://pluralistic.net/2025/08/19/revenge-magic/#liminal-spaces

Upcoming appearances (permalink)

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A screenshot of me at my desk, doing a livecast.

Recent appearances (permalink)


A grid of my books with Will Stahle covers..

Latest books (permalink)


A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • "The Post-American Internet," a geopolitical sequel of sorts to Enshittification, Farrar, Straus and Giroux, 2027

  • "Unauthorized Bread": a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, April 20, 2027

  • "Enshittification, Why Everything Suddenly Got Worse and What to Do About It" (the graphic novel), Firstsecond, 2027

  • "The Memex Method," Farrar, Straus, Giroux, 2027


Colophon (permalink)

Today's top sources:

Currently writing:

  • “Once Is Enemy Action,” a science fiction novel about the origins of modern technofascism. Today's words: 585 (6624 total).

  • "The Post-American Internet," a sequel to "Enshittification," about the better world the rest of us get to have now that Trump has torched America. Fourth draft completed. Submitted to editor.

  • A Little Brother short story about DIY insulin PLANNING

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