Pluralistic: Antiusurpation and the road to disenshittification (07 Nov 2024)

Originally published at: Pluralistic: Antiusurpation and the road to disenshittification (07 Nov 2024) – Pluralistic: Daily links from Cory Doctorow



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A diptych. On the left side, a dragon is biting the head off a man, posed on the 'Hell' background from Bosch's 'Garden of Earthly Delights.' The serpent has the glaring red eye of HAL 9000 from Kubrick's '2001: A Space Odyssey.' On the right, a saluting, smiling gas-jockey stands beside a vintage gas-pump, against a background cropped from the 'Heaven' third in 'Earthly Delights.' The pump's logo has been replaced with an oval of 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies. The other panels and signage on the pump have been replaced with Right to Repair logos: a fist holding an adjustable wrench and a crossed wrench and hammer icon.

Antiusurpation and the road to disenshittification (permalink)

Nineties kids had a good reason to be excited about the internet's promise of disintermediation: the gatekeepers who controlled our access to culture, politics, and opportunity were crooked as hell, and besides, they sucked.

For a second there, we really did get a lot of disintermediation, which created a big, weird, diverse pluralistic space for all kinds of voices, ideas, identities, hobbies, businesses and movements. Lots of these were either deeply objectionable or really stupid, or both, but there was also so much cool stuff on the old, good internet.

Then, after about ten seconds of sheer joy, we got all-new gatekeepers, who were at least as bad, and even more powerful, than the old ones. The net became Tom Eastman's "Five giant websites, each filled with screenshots of the other four." Culture, politics, finance, news, and especially power have been gathered into the hands of unaccountable, greedy, and often cruel intermediaries.

Oh, also, we had an election.

This isn't an election post. I have many thoughts about the election, but they're still these big, unformed blobs of anger, fear and sorrow. Experience teaches me that the only way to get past this is to just let all that bad stuff sit for a while and offgas its most noxious compounds, so that I can handle it safely and figure out what to do with it.

While I wait that out, I'm just getting the job done. Chop wood, carry water. I've got a book to write, Enshittification, for Farar, Straus, Giroux's MCD Books, and it's very nearly done:

https://twitter.com/search?q=from%3Adoctorow+%23dailywords&src=typed_query&f=live

Compartmentalizing my anxieties and plowing that energy into productive work isn't necessarily the healthiest coping strategy, but it's not the worst, either. It's how I wrote nine books during the covid lockdowns.

And sometimes, when you're not staring directly at something, you get past the tunnel vision that makes it impossible to see its edges, fracture lines, and weak points.

So I'm working on the book. It's a book about platforms, because enshittification is a phenomenon that is most visible and toxic on platforms. Platforms are intermediaries, who connect buyers and sellers, creators and audiences, workers and employers, politicians and voters, activists and crowds, as well as families, communities, and would-be romantic partners.

There's a reason we keep reinventing these intermediaries: they're useful. Like, it's technically possible for a writer to also be their own editor, printer, distributor, promoter and sales-force:

https://pluralistic.net/2024/02/19/crad-kilodney-was-an-outlier/#intermediation

But without middlemen, those are the only writers we'll get. The set of all writers who have something to say that I want to read is much larger than the set of all writers who are capable of running their own publishing operation.

The problem isn't middlemen: the problem is powerful middlemen. When an intermediary gets powerful enough to usurp the relationship between the parties on either side of the transaction, everything turns to shit:

https://pluralistic.net/2022/06/12/direct-the-problem-of-middlemen/

A dating service that faces pressure from competition, regulation, interoperability and a committed workforce will try as hard as it can to help you find Your Person. A dating service that buys up all its competitors, cows its workforce, captures its regulators and harnesses IP law to block interoperators will redesign its service so that you keep paying forever, and never find love:

https://www.npr.org/sections/money/2024/02/13/1228749143/the-dating-app-paradox-why-dating-apps-may-be-worse-than-ever

Multiply this a millionfold, in every sector of our complex, high-tech world where we necessarily rely on skilled intermediaries to handle technical aspects of our lives that we can't – or shouldn't – manage ourselves. That world is beholden to predators who screw us and screw us and screw us, jacking up our rents:

https://www.thebignewsletter.com/p/yes-there-are-antitrust-voters-in

Cranking up the price of food:

https://pluralistic.net/2023/10/04/dont-let-your-meat-loaf/#meaty-beaty-big-and-bouncy

And everything else:

https://pluralistic.net/2023/11/06/attention-rents/#consumer-welfare-queens

(Maybe this is a post about the election after all?)

The difference between a helpmeet and a parasite is power. If we want to enjoy the benefits of intermediaries without the risks, we need policies that keep middlemen weak. That's the opposite of the system we have now.

Take interoperability and IP law. Interoperability (basically, plugging new things into existing things) is a really powerful check against powerful middlemen. If you rely on an ad-exchange to fund your newsgathering and they start ripping you off, then an interoperable system that lets you use a different exchange will not only end the rip off – it'll make it less likely to happen in the first place because the ad-tech platform will be afraid of losing your business:

https://www.eff.org/deeplinks/2023/05/save-news-we-must-shatter-ad-tech

Interoperability means that when a printer company gouges you on ink, you can buy cheap third party ink cartridges and escape their grasp forever:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Interoperability means that when Amazon rips off audiobook authors to the tune of $100m, those authors can pull their books from Amazon and sell them elsewhere and know that their listeners can move their libraries over to a different app:

https://pluralistic.net/2022/09/07/audible-exclusive/#audiblegate

But interoperability has been in retreat for 40 years, as IP law has expanded to criminalize otherwise normal activities, so that middlemen can use IP rights to protect themselves from their end-users and business customers:

https://locusmag.com/2020/09/cory-doctorow-ip/

That's what I mean when I say that "IP" is "any law that lets a business reach beyond its own walls and control the actions of its customers, competitors and critics."

For example, there's a pernicious law 1998 US law that I write about all the time, Section 1201 of the Digital Millennium Copyright Act, the "anticircumvention law." This is a law that felonizes tampering with copyright locks, even if you are the creator of the undelying work.

So Amazon – the owner of the monopoly audiobook platform Audible – puts a mandatory copyright lock around every audiobook they sell. I, as an author who writes, finances and narrates the audiobook, can't provide you, my customer, with a tool to remove that lock. If I do so, I face criminal sanctions: a five year prison sentence and a $500,000 fine for a first offense:

https://pluralistic.net/2022/07/25/can-you-hear-me-now/#acx-ripoff

In other words: if I let you take my own copyrighted work out of Amazon's app, I commit a felony, with penalties that are far stiffer than the penalties you would face if you were to simply pirate that audiobook. The penalties for you shoplifting the audiobook on CD at a truck-stop are lower than the penalties the author and publisher of the book would face if they simply gave you a tool to de-Amazon the file. Indeed, even if you hijacked the truck that delivered the CDs, you'd probably be looking at a shorter sentence.

This is a law that is purpose-built to encourage intermediaries to usurp the relationship between buyers and sellers, creators and audiences. It's a charter for parasitism and predation.

But as bad as that is, there's another aspect of DMCA 1201 that's even worse: the exemptions process.

You might have read recently about the Copyright Office "freeing the McFlurry" by granting a DMCA 1201 exemption for companies that want to reverse-engineer the error-codes from McDonald's finicky, unreliable frozen custard machines:

https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard

Under DMCA 1201, the Copyright Office hears petitions for these exemptions every three years. If they judge that anticircumvention law is interfering with some legitimate activity, the statute empowers them to grant an exemption.

When the DMCA passed in 1998 (and when the US Trade Rep pressured other world governments into passing nearly identical laws in the decades that followed), this exemptions process was billed as a "pressure valve" that would prevent abuses of anticircumvention law.

But this was a cynical trick. The way the law is structured, the Copyright Office can only grant "use" exemptions, but not "tools" exemptions. So if you are granted the right to move Audible audiobooks into a third-party app, you are personally required to figure out how to do that. You have to dump the machine code of the Audible app, decompile it, scan it for vulnerabilities, and bootstrap your own jailbreaking program to take Audible wrapper off the file.

No one is allowed to help you with this. You aren't allowed to discuss any of this publicly, or share a tool that you make with anyone else. Doing any of this is a potential felony.

In other words, DMCA 1201 gives intermediaries power over you, but bans you from asking an intermediary to help you escape another abusive middleman.

This is the exact opposite of how intermediary law should work. We should have rules that ban intermediaries from exercising undue power over the parties they serve, and we should have rules empowering intermediaries to erode the advantage of powerful intermediaries.

The fact that the Copyright Office grants you an exemption to anticircumvention law means nothing unless you can delegate that right to an intermediary who can exercise it on your behalf.

A world without publishing intermediaries is one in which the only writers who thrive are the ones capable of being publishers, too, and that's a tiny fraction of all the writers with something to say.

A world without interoperability intermediaries is one in which the only platform users who thrive are also skilled reverse-engineering ninja hackers – and that's an infinitesimal fraction of the platform users who would benefit from interoperabilty.

Let this be your north star in evaluating platform regulation proposals. Platform regulation should weaken intermediaries' powers over their users, and strengthen their power over other middlemen.

Put in this light, it's easy to see why the ill-informed calls to abolish Section 230 of the Communications Decency Act (which makes platform users, not platforms, responsible for most unlawful speech) are so misguided:

https://www.techdirt.com/2020/06/23/hello-youve-been-referred-here-because-youre-wrong-about-section-230-communications-decency-act/

If we require platforms to surveil all user speech and block anything that might violate any law, we give the largest, most powerful platforms a permanent advantage over smaller, better platforms, run by co-ops, hobbyists, nonprofits local governments, and startups. The big platforms have the capital to rig up massive, automated surveillance and censorship systems, and the only alternatives that can spring up have to be just as big and powerful as the Big Tech platforms we're so desperate to escape:

https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn

This is especially grave given the current political current, where fascist politicians are threatening platforms with brutal punishments for failing to censor disfavored political views.

Anyone who tells you that "it's only censorship when the government does it" is badly confused. It's only a First Amendment violation when the government does it, sure – but censorship has always relied on intermediaries. From the Inquisition to the Comics Code, government censors were only able to do their jobs because powerful middlemen, fearing state punishments, blocked anything that might cross the line, censoring far beyond the material actually prohibited by the law:

https://pluralistic.net/2024/02/22/self-censorship/#hugos

We live in a world of powerful, corrupt middlemen. From payments to real-estate, from job-search to romance, there's a legion of parasites masquerading as helpmeets, burying their greedy mouthparts into our tender flesh:

https://www.capitalisnt.com/episodes/visas-hidden-tax-on-americans

But intermediaries aren't the problem. You shouldn't have to stand up your own payment processor, or learn the ins and outs of real-estate law, or start your own single's bar. The problem is power, not intermediation.

As we set out to build a new, good internet (with a lot less help from the US government than seemed likely as recently as last week), let's remember that lesson: the point isn't disintermediation, it's weak intermediation.

(Image: Cryteria, CC BY 3.0, modified)


Hey look at this (permalink)



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This day in history (permalink)

#20yrsago Vintage glasses-frames at decent prices https://memex.craphound.com/2004/11/07/vintage-glasses-frames-at-decent-prices/

#15yrsago Toronto Star copyeditor edits memo announcing the elimination of copyeditor jobs https://web.archive.org/web/20091108015518/http://torontoist.com/2009/11/disgruntled_star_editor_takes_revenge.php

#15yrsago Danish anti-piracy group gives up https://web.archive.org/web/20091112102256/http://freeform101.org/?p=357

#10yrsago Book of seashell scans bound in a seashell https://www.tumblr.com/laurenabishop/84561495428/scallop-shell-artists-book-that-i-made-filled

#5yrsago The case for breaking up Disney https://www.thebignewsletter.com/p/its-time-to-break-up-disney-part

#5yrsago Guillotine watch: Louis XVI’s final chateau, never occupied by royalty, is for sale, just in time for the next revolution https://www.messynessychic.com/2019/10/04/a-sleeping-chateau-untouched-since-the-revolution-is-for-sale/

#5yrsago Leaked internal docs show that Facebook shuts down access to user data to kill competitors, but claims it is protecting users https://www.nbcnews.com/news/all/leaked-documents-show-facebook-leveraged-user-data-fight-rivals-help-n1076986

#1yrago Naomi Alderman's 'The Future' https://pluralistic.net/2023/11/07/preppers-of-the-red-death/#the-event


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Latest books (permalink)



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Upcoming books (permalink)

  • Picks and Shovels: a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books, February 2025
  • Unauthorized Bread: a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2025



Colophon (permalink)

Today's top sources:

Currently writing:

  • Enshittification: a nonfiction book about platform decay for Farrar, Straus, Giroux. Today's progress: 776 words (77789 words total).
  • A Little Brother short story about DIY insulin PLANNING

  • Picks and Shovels, a Martin Hench noir thriller about the heroic era of the PC. FORTHCOMING TOR BOOKS FEB 2025

Latest podcast: Spill, part four (a Little Brother story) https://craphound.com/littlebrother/2024/10/28/spill-part-four-a-little-brother-story/


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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

We hate Donald Trump and are deeply relieved. I did not want to live in this world where I’m counting pennies for bread to finance NATO adventurism and a genocide any longer than I have to, and I certainly did not want the electorate to rubber stamp Israel or it’s allies. Red lines still have some teeth, thank God.

Glad to hear Enshittification is nearing completion! I’m really looking forward to that one. I like your fiction too, but your non-fiction books are really where it’s at for me! If you need any more proofreaders, let me know! :grin:

1998 US law

take the Audible wrapper

I don’t really understand anything in this comment nor its relevance to the post it is in response to?

1 Like

Is focusing on censorship, per se, really getting to the important issue? It seems a little individualistic. One lone, dangerous voice ranting in a corner of the internet is just that. One lone, dangerous voice put, unedited, on the front page of a major national print news outlet can get that firm sued and/or criminally charged.

I’ll admit I haven’t the time to dig into all the lawsuits linked off the “You’ve been referred here” page (an excellent reference), but isn’t it time for a little legislative clarity on who is a publisher?

When for-profit platforms paste their masthead over a piece of illegal content, which they have intentionally selected for consumption by others, and from which they profit by advertising, I think they are the publisher.

I don’t think they get to blame their golem as an independent entity, either. They built it, they take the responsibility.

Courts have considered Section 230 and the responsibility of platforms as publishers in the context of :us: anti-terrorism laws (and I get why the spies aren’t too keen for things to change). I haven’t found/groked the final resolution of that. I’d love to see :canada: consider the implications for publishers using our definitions of hate speech. It might be a mechanism through which we wrestle some of the more dangerous dragons to the ground.

The word ‘publisher’ does not appear in CDA230.

If you said “Once a company like that starts moderating content, it’s no longer a platform, but a publisher”

I regret to inform you that you are wrong. I know that you’ve likely heard this from someone else — perhaps even someone respected — but it’s just not true. The law says no such thing. Again, I encourage you to read it. The law does distinguish between “interactive computer services” and “information content providers,” but that is not, as some imply, a fancy legalistic ways of saying “platform” or “publisher.” There is no “certification” or “decision” that a website needs to make to get 230 protections. It protects all websites and all users of websites when there is content posted on the sites by someone else.

To be a bit more explicit: at no point in any court case regarding Section 230 is there a need to determine whether or not a particular website is a “platform” or a “publisher.” What matters is solely the content in question. If that content is created by someone else, the website hosting it cannot be sued over it.

Really, this is the simplest, most basic understanding of Section 230: it is about placing the liability for content online on whoever created that content, and not on whoever is hosting it. If you understand that one thing, you’ll understand most of the most important things about Section 230.

To reinforce this point: there is nothing any website can do to “lose” Section 230 protections. That’s not how it works. There may be situations in which a court decides that those protections do not apply to a given piece of content, but it is very much fact-specific to the content in question. For example, in the lawsuit against Roommates.com for violating the Fair Housing Act, the court ruled against Roommates, but not that the site “lost” its Section 230 protections, or that it was now a “publisher.” Rather, the court explicitly found that some content on Roommates.com was created by 3rd party users and thus protected by Section 230, and some content (namely pulldown menus designating racial preferences) was created by the site itself, and thus not eligible for Section 230 protections.

1 Like

OK, “publisher”, yes, should have known better…

It does feel different to me, though, to have content created as an individual expression, and having content weaponized for profit and political ends. My lone voice example, for instance, wouldn’t likely meet the test of “hate speech” in Canada, at least not to the point of charges being laid. A platform amplifying many such voices, perhaps individually inconsequential, can generate outcomes that would likely meet the test, were it liable. Similarly, “moderation” feels like a negative act, where as algorithmic amplification is a positive, creative one.

It feels like the active roles described for the “Access software provider” of the law were intended in the spirit of a librarian, not a polemicist.

…something’s not right…

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