Pluralistic: A year in illustration (2024) (07 Dec 2024)

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Originally published at: Pluralistic: A year in illustration (2024) (07 Dec 2024) – Pluralistic: Daily links from Cory Doctorow



Today's links


The title page of an 1884 book called 'Information and illustration. Helps gathered from facts, figures, anecdotes, books, etc., for sermons, lectures, and addresses.'

A year in illustration (2024) (permalink)

As I go into my fifth year of writing Pluralistic (!), I find myself increasingly reflecting on the unexpected pleasures of creating the collages that head each post. I am by no means a visual artist – my drawing skills are sub-stick-figure, and my spatial sense overall is remarkable terrible. I can't solve jigsaws, I get lost in hotel corridors, and I can't find things that are right under my nose.

But addressing the challenge of illustrating extremely abstract ideas related to tech policy, corruption, monopoly and other hard-to-visualize ideas has awakened some kind of latent, heretofore unsuspected interest in visual communications in me. Relying exclusively on Creative Commons, public domain, and extremely solid fair use claims in selecting my source materials adds a spicy challenge that makes the whole thing even more engrossing.

I've written about my process in finding and preparing these sources before. Here's 2023's notes and highlights:

https://pluralistic.net/2023/12/21/collages-r-us/#ki-bosch

And here's 2022:

https://pluralistic.net/2022/12/25/a-year-in-illustration/

This year saw some new, exciting discovering and challenges. First and foremost is my switch to kagi.com as my preferred search-engine, which is like having access to a time machine that's connected to pre-enshittificated Google:

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

Kagi's image search is amazing, far better than Google's, and it has great copyright-based filters. When combined with tineye.com (for finding high-rez versions of images that might not be correctly tagged for rights status), it's even better. Even so, often Kagi will surface thumbnails of images Tineye can only find as high-rez on proprietary stock art sites like Alamy, covered in gross watermarks. These images are still in the public domain, watermarks or no, but erasing the watermarks is a lot of work. However, Alamy is a pretty good source of bibliographic information about the original sources of these images, for example, which issue of a 19th century boxing magazine they came out of, and then Kagi can find me high-rez scans of these sources, at the Internet Archive and/or the Library of Congress. I snag those PDFs and import them into the GIMP (which I use for editing) and pull, clean and crop a new high-rez version of those images for my own use. This year, I got much better at saving and organizing all that work on my laptop, but next year I'm hoping to get into a rhythm of uploading my high-rezzes to Wikimedia Commons so everyone can use 'em.

Getting better at collaging isn't merely getting better at using search tools, of course. Knowing what to search for is even more important, especially given the constraints of only using public domain/CC sources. The Library of Congress is a wellspring of visual material, but its own search tool is sadly lacking; however, Kagi's image search comes to the rescue again, thanks to the "site:loc.gov" flag, which restricts results to the LoC.

It was through these searches that I realized how many of the source images I was pulling down were the work of Joseph Keller (1872-1956), an American political cartoonist who worked extensively for Punch:

https://en.wikipedia.org/wiki/Joseph_Keppler

Keppler was called upon to illustrate many, many political issues that have parallels with the modern competition, corruption and geopolitical stories. A scant few of these remain in the periphery of the public's imagination today, most notably "The Bosses of the Senate," quite possibly the most significant antitrust cartoon of all time:

https://en.wikipedia.org/wiki/The_Bosses_of_the_Senate

But Keppler is a wellspring of great public domain images, and I've been drawing on them heavily. It gives me great pleasure to do so, not just because they're so well-suited to the stories I write, but also because his posterity deserves it. He should be in the American illustrator pantheon alongside the likes of Norman Rockwell!

Besides my search engine and my sources, 2024 saw one other gigantic change in my collage-making: I had cataracts removed from both my eyes in September, and my ophthalmologist implanted lenses that corrected my severe astigmatism and permanently focused one of my eyes at 23" and the other at 25' (this is called monovision). My new eyeballs are still bedding in, and there are days when my vision is severely subpar, but I'm experiencing continuous improvement, and I think this will be a game-changer for 2025.

2025 will also see the long-awaited Version 3.0 release of The GIMP, the free/open image editor I exclusively use. GIMP (Generic Image Manipulation Program) was first released a quarter-century ago, and it's been in version 2.x for twenty years, so this is a big milestone. I can't wait!

https://lwn.net/SubscriberLink/998793/6c8d00bd1b2a7948/

Well, enough forematter. Let's get into this year's best illustrations. If you want high-rezzes of these (or any of my other collages), you can get them at full rez from my Flickr gallery of Pluralistic collages:

https://www.flickr.com/photos/doctorow/albums/72177720316719208

A crumbling western ghost town beneath a brooding, reddish sky. In the foreground is a tilted, scorched 'Welcome to Las Vegas' sign. 'Las Vegas' has been replaced with 'Facebook.' The Mark Zuckerberg metaverse avatar's face has been superimposed over the starburst motif at the sign's top.
Someday, we'll all take comfort in the internet's "dark corners"

This one combines three sources: a public domain image of the Las Vegas sign, a CC 0 image of a western ghost-town, and a fair use gank of Mark Zuckerberg's metaverse avatar. I spent a lot of time hand-cropping the blades of grass around the sign's footing to create the illusion that it was planted in the ground. I'm also pretty happy with the dirt effect I managed on the sign.

https://pluralistic.net/2024/03/23/evacuate-the-platforms/#let-the-platforms-burn

Piles of magazines in boxes. The top two magazines' covers have been replaced with faked up Vice covers. On one, a man's shoe is about to be punctured by a nail sticking up out of a board left on the ground. On the other, a rotary saw blade has amputated several fingers from someone's hand.
Vice surrenders

I got these cover images from a gallery of old Dutch government workplace safety poster; they're delightfully gory in a way that rests comfortably in the cannon of Dutch bluntness. I did a lot of futzing with the Perspective tool to get the alignments right, atop the actual magazine covers (I believe they were Italian fashion magazines).

https://pluralistic.net/2024/02/24/anti-posse/#when-you-absolutely-positively-dont-give-a-solitary-single-fuck

A 19th-century oil painting of a granny reading a bedtime story to a young girl in a four-poster bed. The image has been altered: the girl's face has been replaced with that of a grinning early 20th century newsboy; he looks foolish and beguiled. The granny's head has been replaced by a 19th century caricature of Uncle Sam, who is grinning wolfishly. The bed's curtains are overlaid with blown-up images of a US $100 bill. The book that granny is reading has been replaced with Atlas Shrugged. The brick granny's foot is resting upon has been replaced with a gold brick.
How America's oligarchs lull us with the be-your-own-boss fairy tale

Man, I wish this one had a higher-rez original. The 19th century painting of a kid being read a bedtime story by her kindly granny was perfect, except it was only 804 pixels wide! The grinning Uncle Sam is from Keppler (Keppler's Uncle Sams are many, varied, and great). The grinning kid is from a 19th century collection of photos of child laborers, and I love his expression (he's a newsie). I think I did a really good job blending the US $100 (works of federal authorship are all public domain) with the bed curtains. I was disappointed with how the gold brick that granny's foot rests upon game out. I even followed my friend Alistair Milne's tip of cropping the brick, desaturating it, and putting it atop the gold texture in overlay mode and tweaking the curves. It just wouldn't pop the way it did in my mind's eye.

https://pluralistic.net/2024/02/16/narrative-capitalism/#sell-job

A credit card. Its background is a 'code waterfall' effect from the credit-sequences of the Wachowskis' 'Matrix' movies. On the right side is a cliche'd 'hacker in a hoodie' image whose face is replaced by the hostile red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.' Across the top of the card is 'Li'l Federal Credit Union.' The cardholder's name is 'I.M. Sucker.'
How I got scammed

This one uses some public domains stock art of a hacker in a hoodie, an online make-a-custom-credit-card generator, and two of my favorite visual tropes. The first is the 'code waterfall' effect from the credit sequences of the Wachowskis' 'Matrix' movies, which I use whenever I'm trying to illustrate something with a nexus with the digital world. I have a folder full of these, generated with this code waterfall generator:

https://github.com/Rezmason/matrix

The other element, of course, is the eye of HAL 9000 from Kubrick's '2001: A Space Odyssey'; there's an SVG of this on Wikimedia Commons by a user called 'Cryteria,' licensed CC BY 3.0, which I use whenever I want to illustrate a harm caused by computers:

https://commons.wikimedia.org/wiki/File:HAL9000.svg

https://pluralistic.net/2024/02/05/cyber-dunning-kruger/#swiss-cheese-security

(Image: Cryteria, CC BY 3.0, modified)

An image of a modest house with rooftop solar. Rising over the roof is a picture of WC Fields as a carny barker, waving his hat around and shouting.
Solar is a market for (financial) lemons

I often write about scammers and hucksters, casting about for good visual representation. It wasn't until late January 2024 that I thought to look for an image of a carny barker and turned up this picture of WC Fields in full flight. He makes a lot of appearance after this point!

https://pluralistic.net/2024/01/27/here-comes-the-sun-king/#sign-here

(Image: Future Atlas/http://www.futureatlas.com/blog, CC BY 2.0; J Doll, CC BY 3.0; modified)

The US Supreme Court building, backed by a starry sky. Sticking out of a hole in the steps is a Boeing 737 Max. The plane is Spirit Airlines yellow, but sports the Jetblue wordmarks and tail-livery
Boeing, Spirit and Jetblue, a monopoly horror-story

I was really determined to get the right aircraft for this story about Boeing 737s, but that meant cropping out the plane from Vitaly Druchenok's photo and then painstakingly recreating the Spirit Airlines livery. In the original version of the image, the airplane was sticking out of the roof of the Supreme Court, but my wife (wisely) vetoed that as suggesting a terrorist attack on the court (I wanted to imply that the court had caused the airline to crash).

https://pluralistic.net/2024/01/22/anything-that-cant-go-on-forever/#will-eventually-stop

(Image: Vitaly Druchenok, CC BY-SA 4.0; Joe Ravi, CC BY-SA 3.0; modified)

A pair of early 20th century women strikers in formal dresses with sashes reading 'PICKET STRIKERS.' The left striker's head has been replaced with a 'hacker-in-a-hoodie' cliche. The left one's jacket has been turned Deliveroo blue. She's wearing a matching bike helmet and carrying a Deliveroo food-delivery insulated backpack. They are posed on a background of a giant union conference at Madison Square Gardens, under a banner reading 'ON WITH THE STRIKE! ON TO VICTORY!'
Tech workers and gig workers need each other

I cropped out these two women strikers from an early 20th century photo of a picket line and superimposed them on a photo of a massive union rally from the same era at (I think?) Madison Square Gardens. I am really chuffed with how nicely the (public domain) hacker/hoodie stock image and livery of a gig bike-delivery rider (fair use, ganked from a gig company's promo materials) blended with the strikers.

https://pluralistic.net/2024/01/13/solidarity-forever/#tech-unions

A 19th century posed photo of a campus secret society at the University of Illinois. A collection of middle-aged men and women in formal dress stand in two ranks, holding tall spears and wearing elaborate fezzes emblazoned with five-pointed stars. They are framed by a proscenium. The photo has been modified to put an Apple 'Think Different' wordmark behind them.

This one is in the running to be my favorite illo of the year. I knew it was going to slay the minute I found the image of the U Illinois campus secret society (spears! fezzes!). There's a really good public domain SVG recreation of the "Think Different" wordmark on Wikimedia Commons that I used here, spending some time getting the overlays and textures right:

https://commons.wikimedia.org/wiki/File:Apple_logo_Think_Different_vectorized.svg

https://pluralistic.net/2024/01/12/youre-holding-it-wrong/#if-dishwashers-were-iphones

The UN plenary chamber, seen from the very back. At the dias stands an ogrish caricature of a capitalist, chomping a cigar and wearing a top hat. The capitalist stands behind a control box and is yanking on a lever in the form of a gilded dollar-sign. Between a white-gloved finger and thumb he dangles the UN logo that normally sits on the wall behind him.
End of the line for corporate sovereignty

I use this ogrish rich-guy-in-a-top-hat image all the time to represent the thuggish application of wealth; he comes from a delightful Soviet editorial cartoon called "Capital Controls the Government":

https://craphound.com/images/ussr-capital.jpg

Putting him behind the podium in a UN plenary room with a UN crest in his hand worked really well, though in hindsight, the cropped version I used for the post's hero image is even better:

https://craphound.com/images/27Mar2024.jpg

https://pluralistic.net/2024/03/27/korporate-kangaroo-kourts/#corporate-sovereignty

(Image: ChrisErbach, CC BY-SA 3.0, modified)

A grand paneled hearing room, seen from the back of the room, looking at a dais over the heads of an audience of smartly turned out, attentive people. On the dais itself is a gargantuan, badly damaged cardboard box bearing a FRAGILE sticker. The saturation of the audience has been tuned down, while the saturation of the box has been cranked up.
Conspiratorialism and the epistemological crisis

Another "thing at the front of a big room" image; this one works better that the UN one, I think.

Both of the sources for this have weird CC characteristics. The hearing room image comes from the Nuclear Regulatory Commission, a federal agency, and I am 99% certain that makes it public domain; however, whoever managed the NRC's Flickr account in 2014 applied a CC BY license to it, so I did the whole attribution for it, even though I think it wasn't needed.

The crumbled cardboard box image comes from a British company that sells cardboard boxes; they upload product shots to Flickr under CC BY 2.0 and require that the attribution string include their store's URL (not necessarily the URL of the image), presumably to get SEO backlinks. This is fine, but the CC BY 2.0 licenses have a serious defect in that a failure to correctly attribute them can give rise to serious ($150K!) copyright liability, something that a group of "copyleft trolls" have brutally exploited:

https://pluralistic.net/2023/04/02/commafuckers-versus-the-commons/

Which makes this kind of funky attribution a minefield. I try to touch all the bases by attributing to both the store's URL and the URL of the image. The real solution to this is for Flickr to finally update its CC licensing to push all its images up to CC 4.0 and push a notice to all users with CC images telling them they either have to consent to upgrading to the latest licenses, or have the licensing on their images reverted to "All Rights Reserved" (maybe with an asterisk explaining that they still have irrevocable but dangerous CC 2.0 licenses attached to them).

https://pluralistic.net/2024/03/25/black-boxes/#when-you-know-you-know

(Image: Nuclear Regulatory Commission, https://meanwell-packaging.co.uk, CC BY 2.0)

The interior of a luxury car. There is a dagger protruding from the steering wheel. The entertainment console has been replaced by the text 'You wouldn't download a car,' in MPAA scare-ad font. Outside of the windscreen looms the Matrix waterfall effect. Visible in the rear- and side-view mirror is the driver: the figure from Munch's 'Scream.' The screen behind the steering-wheel has been replaced by the menacing red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey.'
Your car spies on you and rats you out to insurance companies

I had so much fun with this one! Check out all those gracenotes! Munch's (public domain) "Scream" reflected in the mirrors, the windscreen, and the dashboard. The 'You Wouldn't Download a Car' parody reflected in the blade of the giant knife sticking out of the steering wheel!

https://pluralistic.net/2024/03/12/market-failure/#car-wars

(Image: Cryteria, CC BY 3.0, modified)

A black and white photo of a steno pool worked by women in mid-1950s haircuts and clothing. Perched on each woman's desk is a lab-coated figure whose head has been replaced by the red staring eye of HAL 9000 from Stanley Kubrick's '2001: A Space Odyssey.' Each red eye is emitting a cone of red light that engulfs a different woman's head.
Wellness surveillance makes workers unwell

I love how this one turned out. The labcoated figure is actually a dentist from a gallery of images from the National Museum of Health and Medicine. The little flying guy in the back kills me.

https://pluralistic.net/2024/03/15/wellness-taylorism/#sick-of-spying

(Image: Cryteria, CC BY 3.0, modified)

Hieronymus Bosch's painting The Conjurer. The head of the conjurer has been replaced with Jeff Bezos's grinning head. There's an Amazon logo on his table, and another overhead. The cups from his cup-and-ball game have been replaced with inverted Amazon cartons. Every hand visible in the image has had numerous extra fingers painstakingly manually added to it in the hopes of goading a moralizing scold into complaining that this image is AI generated so that I can make fun of them.
Amazon's financial shell game let it create an "impossible" monopoly

I love this one. First of all, Hieronymus Bosch's 'The Conjurer' is a great visual representation of a slickster pulling a fast one on gawping yokels. But once I added Doc Searls' great shot of Jeff Bezos in mid-crazy-laugh to it (from a 2010 Techonomy Summit) it became perfectly trenchant. This was part of a short series of images that I added extra fingers and pupils to after someone scolded me online because they (incorrectly) believed I'd generated a collage with an AI image generator. Thankfully, that kind of absurd witch-hunting seems to have waned in popularity. What a ridiculous waste of everyone's time!

(Image: Doc Searls, CC BY 2.0, modified)

The Capitol building. Before it sits a vast pile of hundred dollar bills in rubber-banded packets. Behind it is a set of stadium concert lights. Overhead hangs a crooked, dirty sign bearing the Live Nation wordmark. The Capitol building is a-crawl with vivid green tentacles.
Live Nation/Ticketmaster is buying Congress

I had a lot of fun scouring Victorian woodcuts for cool tentacles to add to this image. The garish concert lights in the background were a fun find – I was halfway through using them when I realized that the image came from my old pal Matt Biddulph, who has many claims to fame, but my favorite is that he once sarcastically called the area in Hackney where some tech startups were clustered "Silicon Roundabout" and then experienced the monkey's paw curse of having the government turn this into an official designation.

https://pluralistic.net/2024/04/30/nix-fix-the-tix/#something-must-be-done-there-we-did-something

(Image: Matt Biddulph, CC BY-SA 2.0; Flying Logos, CC BY-SA 4.0; modified)

A collection of 1950s white, suited boardroom executives seated around a table, staring at its center. The original has been altered. In the center of the table stands a stylized stick figure cartoon mascot whose head is a poop emoji rendered in the colors of the Google logo. The various memos on the boardroom table repeat this poop Google image. On the wall behind the executives is the original Google logo in an ornate gilt frame.
The specific process by which Google enshittified its search

Around April, I realized I needed a visual signifier for "enshittified Google" – I created a cartoon mascot with the head of a poop emoji, colored in the original Google logo colors. I put him into "The Junior Partner Speaks," an old ad for Pacific Woolens and Worsteds, which I've since used several times:

https://craphound.com/images/juniorpartner.jpg

I'm very fond of using the homely old original Google logo as a way to differentiate pre-enshittificatory Google from modern, enshittocene Google.

https://pluralistic.net/2024/04/24/naming-names/#prabhakar-raghavan

An illuminated manuscript drawing of two serfs threshing wheat. Behind them is a portrait of a fat-cat type in a business suit, with a dollar-sign money-bag for a head.

Podcasting "Capitalists Hate Capitalism"

Real Gilded Age corruption-heads will instantly recognize the editorial cartoon image of Boss Tweed as a suited figure with a sack of money for a head; his body language is impeccable, conveying a sneering disregard for decency and others' wellbeing. He works very well inserted into this tapestry of feudal peasants threshing grain.

https://pluralistic.net/2024/04/18/in-extremis-veritas/#the-winnah

A Rube Goldberg drawing of a man using an elaborate automatic napkin, a contraption that integrates a wall-clock, a parrot, a pop-up toaster and other contrivances. The background has been replaced with the 'code waterfall' effect seen in the credits of the Wachowskis' 'Matrix' movie. The fact of the wall-clock has been replaced with the staring eye of HAL 9000 from Kubrick's '2001: A Space Odyssey.'
No, "convenience" isn't the problem

It's stupidly, unnecessarily hard to find hi-rez scans of Rube Goldberg cartoons online, but this one is perfect and it was a delight to lovingly crop out all its little details. Throw in Cryteria's HAL 9000 and a Matrix code waterfall and you've got a perfect image of the complex, hostile traps of digital systems.

https://pluralistic.net/2024/04/12/give-me-convenience/#or-give-me-death

Abraham Bosse's 17th century etching of David with a defeated Goliath. In the original, David marvels at his sling while standing astride the giant head of Goliath, which has been severed and sports a notable forehead-dent. The image has been modified, replacing the rock in David's sling with the Earth, and adding a monocle and top-hat to Goliath's severed head.
The unexpected upside of global monopoly capitalism

This one's pretty subtle! I mostly just added the monocle, mustache and top-hat to the fallen head of Goliath in Bosse's 17th century engraving of the triumphant David. The planet Earth in David's sling is a NASA image and thus in the public domain.

https://pluralistic.net/2024/04/10/an-injury-to-one/#is-an-injury-to-all

A period oil-painting depicting 'The Defenestrations of Prague,' in which wealthy people were thrown out of windows. This image contains two of these wealthy people, one about to be pushed backwards out the window by other stolid burghers, the other being dragged toward the same window to face a similar fate. Both look terrified. The skyline outside of the window has been replaced with the Manhattan skyline. The wall behind them has been replaced with a green-on-black stock ticker.
How to shatter the class solidarity of the ruling class

Goodness, but "canceled" is a tedious cliche. If you must describe someone being ejected from polite society, please consider the far more delightful "defenestrated," not least because the many paintings and etchings of The Defenestration of Prague gives us a lot of public domain visual material to work with when illustrating such events.

https://pluralistic.net/2024/04/08/money-talks/#bullshit-walks

(Image: KMJ, CC BY-SA 3.0, modified)

A lab-coated scientist in a chem lab filled with retorts, glassware, etc. The image has been modified. The scientist's head has been replaced with the head of the Trix rabbit, and his labcoat now has a General Mills logo patch stitched onto the shoulder. The contents of his main beaker have been replaced with a floating Cocoa Puffs logo.
General Mills and cheaply bought "dietitians" co-opted the anti-diet movement

The minute I saw this unsourced midcentury commercial illustration of a scientist working in a chem lab, I knew I'd get a lot of mileage out of it; I spent a long flight productively slicing it onto layers so that I could replace his head and put arbitrary objects in his flask:

https://craphound.com/images/labflask.jpg

I've used him before, but putting the Trix rabbit's head on him and sticking a box of Cocoa Puffs in the flask worked great.

https://pluralistic.net/2024/04/05/corrupt-for-cocoa-puffs/#flood-the-zone-with-shit

A demon from Bosch's Garden of Earthly Delights. It has a bulbous, tick-like body and the legs of a hoofed animal. Its ass is open, revealing a hollow space within, populated by other demons. A flag sprouts from its back. It has been altered so that its face is a Google 'G' logo and the flag bears a tiny Android logo. Its broad, flat hat is decorated the the 'shrug' ASCII art.
Too big to care

I spent the whole flight to SXSW last year slicing up a super hi-rez (10,000px wide!) image of Hieronymus Bosch's "Garden of Earthly Delights," slicing out individual demons, with special attention to the hoof-footed, anus-baring demon in a hat with a whole secret demonic clubhouse in its rectal cavity. At the end of that flight, I had a very funny conversation with my perplexed seatmate, who was dying to know what the actual fuck I was working on.

The background here is made up of desaturated, magnified brushstrokes from Van Gogh's "Starry Night."

https://pluralistic.net/2024/04/04/teach-me-how-to-shruggie/#kagi

An old Red Lobster ad, showing a fisherman on a pier amid a bounteous catch, standing under an old fashioned . He grins and brandishes a large lobster at a grinning family. The image has been modified to add four symbols of rapacious capitalism. There is a dancing Monopoly Rich Uncle Pennybags with a skull-like face, his cane replaced by a scythe. There is a stern, impatient, grey-haired business-man looming over a rooftop, staring at his watch impatiently. There is a portly, shouting man in a suit and tophat, lugging a money-bag. There is a man in a suit with a money-bag for a head.
Red Lobster was killed by private equity, not Endless Shrimp

I inserted a rogue's gallery of "evil boss types" from various editorial cartoons into this vintage Red Lobster ad, including Boss Tweed, an impatient guy from a midcentury John Falter commercial illustration, possibly for a radio station (?) and a William Gropper sketch for a cartoon making fun of the business lobby's opposition to the New Deal.

https://pluralistic.net/2024/05/23/spineless/#invertebrates

A cartoon image of a jetpack-flying man waves hello at a gap-toothed, awed young boy. Beneath them in the corner, a sinister figure with huge, hypnotic-spiral eyes works the switches on an imposing control panel. On his desk is a copy of Amazing Stories with the same rocketeer. In the image background is a faded, halftoned image of the NYC 1964 World's Fair.
You were promised a jetpack by liars

The newsie with the great grin makes a reappearance in this one, beneath a jetpack flyer taken from a 1928 Amazing Stories cover by R Frank Paul. The control panel is one of several midcentury electronics consoles I've spent idle hours cropping out (this one comes from a Schlitz ad depicting a HAM radio enthusiast). The hypnotic head is from the October, 1953 cover of Doll-Man, likely by Reed Crandall. I started playing around with halftoning with this one, on the background, as a way of hiding the JPEG artifacts that emerged when I uprezzed small source images. It worked really well.

https://pluralistic.net/2024/05/17/fake-it-until-you-dont-make-it/#twenty-one-seconds

An old woodcut of a disembodied man's hand operating a Ouija board planchette. It has been modified to add an extra finger and thumb. It has been tinted green. It has been placed on a 'code waterfall' backdrop as seen in the credit sequences of the Wachowskis' 'Matrix' movies.
AI "art" and uncanniness

I was so happy with how the extra fingers on this Victorian woodcut of a hand on a Oujia board planchette came out. And the green tinting worked perfectly with the Code Waterfall background.

https://pluralistic.net/2024/05/13/spooky-action-at-a-close-up/#invisible-hand

A complex control panel whose knobs have all been replaced with the menacing red eye of HAL9000 from Kubrick's '2001: A Space Odyssey.' A skeletal figure on one side of the image reaches out a bony finger to twiddle one of the knobs.

Algorithmic feeds are a twiddler's playground

I confess that the kind of music that people make with modular synths leaves me totally, absolutely flat. However, the look of modular synths is perfect for conjuring up the idea of "twiddling" – a key part of my theory of enshittification (doubly so after I painstakingly put a HAL 9000 eye on every dial and knob).

https://pluralistic.net/2024/05/11/for-you/#the-algorithm-tm

(Image: Cryteria, CC BY 3.0; djhughman, CC BY 2.0; modified)

Facebook HQ's iconic '1 Hacker Way' sign. The Facebook logo has been replaced with a giant USB C port.
CDA 230 bans Facebook from blocking interoperable tools

"Interoperability" is one of those abstractions I really struggle to visually represent, but sticking a giant, scuffed, USB-C port (courtesy of D-Kuru's great CC BY 4.0 macrofocus image) on the Facebook sign worked great.

(Image: D-Kuru, Minette Lontsie, CC BY-SA 4.0, modified)

A firebombed cityscape under a smoky red sky. In the foreground is a gigantic brick, most of the length of a city block, with a set of solar panels atop it.
Cleantech has an enshittification problem

Illustrating "cleantech" being bricked seemed pretty straightforward, but it took a lot of doing to find a good picture of a brick. Eventually, I found a brick and took a picture of it! I think the solar panels on the brick are pretty nicely matted in.

(Image: 臺灣古寫真上色, Grendelkhan CC BY-SA 4.0; modified)

A giant set of balance scales. One scale's platform bears a US flag motif, and atop it stands a mustachioed guerrilla fighter with an impressive hat, bandoleers, and a rifle. On the other scale is an EU flag, atop which stands a muscle-bound male figure standing at rigid attention. Behind them is a 'code waterfall' as seen in the credit sequences of the Wachowskis' 'Matrix' movies. Looming over the scene is an impatient-looking man in a grey suit; in one hand he holds a sheaf of papers; he is staring intently at his watch.
How to design a tech regulation

Cutting out those balance scales took a long-ass time, but I've found a lot of uses for them, illustrating the concept of "making trade-offs." The tradeoff here is between a rigid, planned approach and a more improvisational one, so I used an Air Force guy at rigid attention and a guerrilla fighter on the scales. The "impatient guy" from the maybe-a-radio-ad stands in this time for a government regulator.

https://pluralistic.net/2024/06/20/scalesplaining/#administratability

(Image: Noah Wulf, CC BY-SA 4.0, modified)

A frame from a Peanuts animation, depicting Lucy yanking the football away from Charlie Brown, who is somersaulting through the sky. It has been altered. Lucy's head has been replaced with Microsoft's Clippy. Charlie Brown's head has been replaced with a 19th century caricature of a grinning Uncle Sam. The sky has been replaced with a 'code waterfall' effect as seen in the Wachowskis' 'Matrix' movies.
Microsoft pinky swears that THIS TIME they'll make security a priority

Look, I'll stipulate that using "Clippy" as a symbol for Microsoft personified is a bit antiquated, but I like to think that for those who know, they really know. The Uncle Sam is Keppler again. With apologies to Skippy Shulz, natch.

https://pluralistic.net/2024/06/14/patch-tuesday/

A windfarm at sunset. In the foreground at the bottom are the silhouettes of a Victorian crowd of spectators watching the turbines. On the left of the image is a carmine-skinned Satanic figure dressed in business casual, jerking his thumb at an oilwell that is gushing crude all over the scene.
An end to the climate emergency is in our grasp

Virgil Finlay's demon head is sinister, sure, but the unintentional, undeniable sinisterness of the body language of this guy puts him in the shade. He comes from an unsourced image that looks like an ad for a built-in stereo.

https://craphound.com/images/guygestures.jpg

The audience in the front comes from a Victorian daugerrotype of a crowd watching some kind of unknown spectacle. I cropped 'em out by hand and use them as a visual stand-in for "this is a thing that the world is, or should be, watching."

https://pluralistic.net/2024/06/12/s-curve/#anything-that-cant-go-on-forever-eventually-stops

The produce section of a grocery store, with Kroger's signage. It is animated. The image fades to a version in which all the hand-lettered price signs are replaced with code waterfalls as seen in the credit-sequences of the Wachowskis' 'Matrix' movies. The image fades again and the huge, menacing eye of HAL9000 from Kubrick's '2001: A Space Odyssey' appears in the center aisle, and all the prices have doubled. The image fades again and the doubled prices are replaced with the code waterfall again. The image then loops.
Surveillance pricing

I don't make a lot of animations, but this one is super-sweet. The idea of things switching slowly via crossfades is a great way to illustrate how tech lets companies change things when you aren't paying attention. Thanks as ever to ezgif.com for help assembling and optimizing it.

https://pluralistic.net/2024/06/05/your-price-named/#privacy-first-again

(Image: Cryteria, CC BY 3.0, modified)

Four men in loud checked suits stand before a belching coal plant; the center two hold a glittering Bitcoin with a vivid green tree sprouting from it. They wear green domino masks. Behind them are ranks of 19th century child coal-miners.
"Carbon neutral" Bitcoin operation founded by coal plant operator wasn't actually carbon neutral

Thomas Hawk is an amazing photographer who also posts all kinds of amazing found photos (more than 23,000 of them!) to his Flickr stream, at very high rez:

https://www.flickr.com/search/?sort=date-taken-desc&safe_search=1&tags=foundphotograph&user_id=51035555243%40N01&view_all=1

The guys in the foreground appear in one of these, proudly displaying an award for – I kid you not – "canned bacon." The kids in the background come from a gallery of photos of early 20th C. child laborers.

https://pluralistic.net/2024/08/09/terawulf/#hunterbrook

An early 20th century editorial cartoon depicting the Standard Oil Company an a world-spanning octopus clutching the organs of state - White House, Capitol dome, etc - in its tentacles. It has been altered: to its left, curled within its tentacles, stands an early 20th century cartoon depicting Uncle Sam as a policeman with a billyclub, with a DOJ Antitrust Division crest on his chest. On its right, one of its tentacles clutches an early Google 'I'm Feeling Lucky' button. Its head has been colored in with bands in the colors of the Google logo, surmounted by the Chrome logo. Its eyes have been replaced with the eyes of HAL9000 from Kubrick's '2001: A Space Odyssey.'
The Google antitrust remedy should extinguish surveillance, not democratize it

If Keppler's "Capital Controls the Senate" is one of the most important antitrust images of all time, then his "Next!" (depicting Standard Oil as a rapacious, world-strangling octopus) is the most important antitrust illustration.

The Uncle Sam-as-a-cop figure is another Keppler (natch), and he's a regular in my collages – I can make him stand in for any federal agency by putting its logo on his chest, where a badge would go.

It took me a long time to cut up that Next! image for easy modding. Here's a GIMP XCF file for your pleasure:

https://craphound.com/images/standard-oil-kraken.xcf

And a PSD:

https://craphound.com/images/standard-oil-kraken.psd

https://pluralistic.net/2024/08/07/revealed-preferences/#extinguish-v-improve

(Image: Cryteria, CC BY 3.0, modified)

A giant in a tailcoat. His head is a stylized, glittering Bitcoin, sporting a comically tiny tophat. He holds a magnifying glass and uses it to examine a tiny, swaybacked donkey in the livery of the Democratic Party mascota free . The background is a halftoned Maricopa County federal election ballot.
The largest campaign finance violation in US history

The giant figure looking at something in his palm through a looking-glass is yet another Keppler Uncle Sam illo (in the original, Sam is peering at a taxpayer who's shouting back up at him). I love the sad little donkey; I spent a bunch of time this election year finding public domain images of mules and elephants and dressing them in the livery of the mascots of the Democratic and Republican parties to have a bunch of visual signifiers with different emotional valences for each.

Note the halftoned background (a Maricopa County ballot); I'm increasingly fond of halftoning as a way to create a nice looking, scale-independent background.

https://pluralistic.net/2024/07/31/greater-fools/#coinbased

A medieval tapestry depicting an overseer gesturing imperiously with his stick at three bent peasants who are grubbing in a field. The image has been altered. Contrasts and colors have been pushed into psychedelic pinks, greens and blues. Part of the tapestry fades into a 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies. The overseer's head has been replaced with the hostile red eye of HAL 9000 from Kubrick's '2001: A Space Odyssey.'
AI's productivity theater

"Technofeudalism" was a theme in my work even before Yanis Varoufakis's excellent book on the subject. Putting a HAL Eye on the reeve in this medieval tapestry depicting him lording it over his groveling serfs really caught the subject, especially after I faded in some Matrix code waterfall for the background.

https://pluralistic.net/2024/07/25/accountability-sinks/#work-harder-not-smarter

(Image: Cryteria, CC BY 3.0, modified)

A medieval drawing of a horrible torture chamber in which men are being tormented by various diabolical machines. On the wall hangs a poster reading 'LATE AGAIN! Dependable workers are on the job.' Through the window peers an impatient man in a sixties vintage executive suit, clutching a sheaf of papers and scowling at his watch. Behind him is the nighttime Manhattan skyline.
Return to office and dying on the job

This medieval torture chamber was really brightened up by the LATE AGAIN! workplace poster on the wall and the impatient guy posed before the Manhattan skyline through the window bars. Cutting out all the window-panes took forever.

https://pluralistic.net/2024/09/27/sharpen-your-blades-boys/#disciplinary-technology

A demonic figure cropped from the 'Hell' section of Hieronymus Bosch's 'Garden of Earthly Delights.' She is on all fours, looking over her shoulder. Her entire rectum has been removed, revealing smaller, industrious demonic figures at work inside her guts. Her open rectum has been limned in radioactive acid-green light. Atop her flat hat is an open box of radium suppositories, lid open to reveal (entirely inadequate) health warnings. The background is a dark, abstract damask wallpaper pattern.
Thinking the unthinkable

Bosch's anus-demon (from the Garden of Earthly Delights) returns, this time to illustrate the problems of radium suppositories as a metaphor for commercial surveillance (yes, a visual metaphor for a textual metaphor – whew, it's getting abstract around here). It took some fiddling to get the right green radioactive glow in the anal cavity, and to match it for each of the suppositories in the Museum of the Health Sciences' picture of a box of the

The damask-esque background comes from a gallery of antique marbled endpapers that I often use when I need a texture, tweaking the curves and colors until they look cool.

https://pluralistic.net/2024/09/19/just-stop-putting-that-up-your-ass/#harm-reduction

The ruins of the Temple of Jupiter, taken in the late 18th century, overlooking a stretch Lebanon. It has been emblazoned with the 1970s-era logo for the University of Chicago Graduate School of Business. Before it stands a figure taken from an early 1900s illustrated bible, depicting a Hebrew priest making an offering to the golden calf at the foot of Mt Sinai. The priest's head has been replaced with the head of Milton Friedman. The calf has been adorned with a golden top-hat and a radiating halo of white light.
There's no such thing as "shareholder supremacy"

Boy I love this one. The background is a late 1800s photo of the Temple of Pluto. The golden calf on the idol comes from an early 20th century illustrated bible. Add Milton Friedman's head, the lettering from the original U Chicago School of Business, and a tiny golden top-hat for the calf, and voila! Idol-worship! Alistair Milne's tip for making gold textures work went down a treat here.

https://pluralistic.net/2024/09/18/falsifiability/#figleaves-not-rubrics

Two suited business-men sit knee-to-knee in a luxuriously paneled boardroom, smiling broadly at one another. They are tinted green and limned with green. Behind them stands a rank of child laborers in 19th century workwear, looking miserable. Behind the laborers, a sack of gold coins looms into the frame, spilling a cascade of coins. On the coffee table before the men is a tiny guillotine with a tiny aristocrat about to lose his head while two tiny Jacobins look on.
America's best-paid CEOs have the worst-paid employees

The heads of the millionaires are more Keppler Punch illos, while the bodies and sofas come from another Thomas Hawk found industrial photo. You'll remember the child coal miners from ""Carbon neutral" Bitcoin operation founded by coal plant operator wasn't actually carbon neutral." I have a vivid memory of carefully cutting out the guillotine and its Jacobins during a boring conference presentation.

https://pluralistic.net/2024/09/09/low-wage-100/#executive-excess

A man lying in a hospital bed, wearing a sinister mind-control helmet. His hands are clenched into fists and he is grimacing. Through a hole in the wall we see a prancing vaudevallian, whose head has been replaced with the head of Mark Zuckerberg's Metaverse avatar. Behind this figure is the giant red eye of HAL9000 from Stanley Kubrick's '2001: A Space Odyssey.' At the end of the bed stand a trio - Mom, Dad and daughter - in Sunday best clothes, their backs to us, staring at the mind-controlled man's face.
Conspiratorialism as a material phenomenon

The superstitious belief that Big Tech has built a mind-control ray is a common theme in my work, and I've got a few prized, carefully sliced up "mind control ray" themed images from old pulps in my stock art folder. This one is augmented with Cryteria's HAL 9000 eye, and a Keppler cavorting vaudevallian with Zuck's metaverse head. The midcentury family comes from a midcentury ad for Mason Masterpieces's bronzed baby-shoes.

(Image: Cryteria, CC BY 3.0, modified)

A McDonald's McFlurry cup. Under its transparent lid is a poop emoji whose eyes have been replaced with the glowing red eyes of HAL 9000 from Stanley Kubrick's '2001: A Space Odyssey.' The cup is spattered with dirt. Behind it is a 'code waterfall' effect as seen in the credit reels of the Wachowskis' 'Matrix' movies.
The US Copyright Office frees the McFlurry

Figuring out how to illustrate the problems of DRM in McFlurry machines took some doing, but I'm super happy with how the HAL 9000-eyed poop emoji inside a spattered McFlurry cup (fair use of a McDonald's promo image) worked out.

https://pluralistic.net/2024/10/28/mcbroken/#my-milkshake-brings-all-the-lawyers-to-the-yard

(Image: Cryteria, CC BY 3.0, modified)

A 1930s-era suited male figure seated at a formal desk that is mounted high with papers. His head has been replaced with that of a grinning elephant. Reaching through the papers, parting them like the Red Sea, is a giant, friendly male hand, along with a bit of shirt and suit-cuff.
Keeping a suspense file gives you superpowers

Another Keppler classic: originally, this was FDR being offered a helping hand to cut through his paperwork. I added in one of the elephant heads I'd cropped out for election illustrations, and used it to represent "not forgetting."

https://pluralistic.net/2024/10/26/one-weird-trick/#todo

A cowboy-hatted, tuxedoed, cigar-smoking Ronald Reagan sits at a coffin/table with the angel of death, which is gesticulating wildly. Reagan holds a green Monopoly house; several more, and a hotel, rest on the coffin before him. The hazy edges of the scene give way to a sepia-tinted, vintage aerial photo of the Levittown suburbs.
The housing crisis considered as an income crisis

The underlying image is another Keppler, showing death flamboyantly dicing with a millionaire. I added in an official (hence public domain) Reagan portrait, some monopoly houses, and a vintage aerial photo of Levittown, halftoned to disguise scaling artifacts.

https://pluralistic.net/2024/10/24/i-dream-of-gini/#mean-ole-mr-median

A 19th century Puck editorial cartoon of Uncle Sam standing between two funhouse mirrors, one of which depicts him as an emaciated, terrified figure; the other depicts him as a fat and happy fellow. The background is a highly magnified US $100 bill. Over the 'fat' mirror the text from US banknotes: 'This note is legal tender for all debts private and public.'
Retiring the US debt would retire the US dollar

More of Keppler's outstanding Uncle Sams! Add in a super-rezzed-up US $100 (all that intanglio looks great at high mag) and you've got an instantly arresting image.

https://pluralistic.net/2024/10/21/we-can-have-nice-things/#public-funds-not-taxpayer-dollars

A 1930s adult learning classroom at which adults sit in rows at desks, reading. Their heads have all been replaced with the glaring red eye of HAL 9000 from Stanley Kubrick's '2001: A Space Odyssey.' HAL also stares through the overhead windows. Behind the glass stand two sinister boss figures in smart suits, overseeing the reading people. A vintage Penguin paperbacks logo peeks out of one corner. The two photos on the walls have been replaced; the left one shows a medieval reeve figure taken from a tapestry, gesturing imperiously with his stick. The right one shows a stoop-backed peasant, harvesting a sheaf of wheat with a scythe.
Penguin Random House, AI, and writers' rights

The impatient guy makes another appearance in this WPA image of an adult literacy class; he's joined by another "business man" type, this one from a midcentury ad for a multi-level marketing scheme selling…business suits! The pupils' heads are all HAL 9000 eyes, natch, but don't miss all the little Easter Eggs, like the reeve and peasants in the frames on the walls.

https://pluralistic.net/2024/10/19/gander-sauce/#just-because-youre-on-their-side-it-doesnt-mean-theyre-on-your-side

(Image: Cryteria, CC BY 3.0, modified)

A rifle-bearing, bearded rebel with crossed bandoliers stands atop a mainframe. His belt bears the RSS logo. The mainframe is on a floor made of a busy, resistor-studded circuit board. The background is a halftoned RSS logo. Around the rebel is a halo of light.
You should be using an RSS reader

The guerrilla fighter is back, this time standing atop some mainframe equipment ganked from a Univac ad. The halftoned RSS logo in the background really works, especially with a partially blended GIMP "supernova" effect behind the rebel.

https://pluralistic.net/2024/10/16/keep-it-really-simple-stupid/#read-receipts-are-you-kidding-me-seriously-fuck-that-noise

A poop emoji standing on an infinitely receding tiled floor against a 'Code Waterfall' background as seen in the credits of the Wachowskis' 'Matrix' movie. It has a red, angular, steam-snorting speech bubble coming out of its mouth, full of 'grawlix' (nonsense punctuation meant to indicate swearing
Dirty words are politically potent

I spent a bunch of time experimenting with different ways of making emphatic speech bubbles and it paid off here; that poop emoji's gawlix is in a good home. Halftoning the foreground element (the poop) works surprising well here. I should do more of that.

https://pluralistic.net/2024/10/14/pearl-clutching/#this-toilet-has-no-central-nervous-system

The hindquarters of a bucking mule in Democratic Party livery; flying through the air behind them is a distressed-looking millionaire type in tophat and monocle, evidently kicked by the mule's rearmost hoof, which glitters with radiating light. The millionaire type is on a collision course with Uncle Sam, dresses as an old-timey cop and brandishing a billyclub. On his breast is the emblem of the Federal Trade Commission. Behind the scene is a halftones WPA poster depicting the mountains and valleys of Montana.
Lina Khan's future is the future of the Democratic Party – and America

Keppler's Uncle Sam Cop is back, along with another Keppler – a carpetbagger flying through the air after getting a kick in the pants. I got good use out of one of my Democratic Party donkeys here. The background is a half-tones WPA travel poster for Montana.

https://pluralistic.net/2024/10/11/democracys-antitrust-paradox/#there-will-be-an-out-and-out-brawl

A manufacturer's publicity image of a Fisker Ocean electric SUV in a garage next to a wall-mounter charger. The car has been replaced by a gigantic, red clay brick.
Cars bricked by bankrupt EV company will stay bricked

I actually made this brick by hand: first I rescaled a box image until it had the right proportions, then I found a public domain texture that was the right kind of brick and used the perspective tool to put it over each face of the box. I told you public domain bricks are hard to find.

It was very satisfying overlaying all the elements of the Fisker car I cropped out onto the brick.

https://pluralistic.net/2024/10/10/software-based-car/#based

A flayed human face with huge, staring eyes, held open with cruel calipers. The calipers' handles bear the 'As Seen On TV' logos. In the center of each pupil is an Amazon Prime logo. Behind this figure is a static-distorted title card for a K-Tel record of the month club ad.
Prime's enshittified advertising

Nothing exceeds like excess! The flayed face with eyeballs comes from a 19th century book of French anatomical drawings. The calipers' handles just didn't look right (I referred to stills from Clockwork Orange to try and get 'em to work), but then I hit on the idea of using the "As Seen on TV" logo, which worked perfectly. The halftoned K-Tel ad-card background doesn't quite work, I think.

https://pluralistic.net/2024/10/03/mother-may-i/#minmax

Uncle Sam in a leg-hold trap. The trap is staked to a log, against which rests a sign bearing the MAKE AMERICA GREAT AGAIN wordmark. In the background is a halftoned image of a waving US flag amidst the clouds.
"That Makes Me Smart"

This is actually two Kepplers; the original guy in the leg-hold trap is some lost-to-history politician embroiled in a lost-to-history scandal. But once I added (yet another!) of Keppler's Uncle Sam heads to his body (recoloring his coat and converting his trousers to red stripes), it became a perfect visual representation of America, trapped. The halftoned US flag is my favorite background yet.

https://pluralistic.net/2024/12/04/its-not-a-lie/#its-a-premature-truth

A heavily armed and armored figure with the head of an foolishly grinning 19th century newsie. He stands in the atrium of a pink, vintage mall.
The far right grows through "disaster fantasies"

When it came to finding heavily armored and armed weirdos, I was spoilt for choice; same goes for grainy photos of vintage malls that look good after halftoning. Add in the goofy, grinning newsie's head and overlay his hat in camou, and it's perfect.

https://pluralistic.net/2024/11/24/mall-ninja-prophecy/#mano-a-mano

An altered version of a Gilded Age editorial cartoon titled 'Who controls the Senate?' which depicts the Senate as populated by tiny, ineffectual politicians ringed by massive, bloated, brooding monopolists. A door labeled 'people's entrance.' is firmly locked. A sign reads, 'This is a senate of the monopolists, by the monopolists and for the monopolists.' The image has been altered: an editorial cartoon of Boss Tweed, portrayed as a portly man in a business suit with a money-bag for a head, stands in the foreground. He is wearing a MAGA hat. On his shoulder perches a tiny, 'big stick' swinging FDR from another editorial cartoon. The logos of the monopolists in the background have been replaced with logos for Chevron, Coinbase, Google, Microsoft, WB, PGA, Apple, Comcast, Realpage and KKR.
Boss politics antitrust

Finally, I got a chance to use Keppler's "Capital Controls the Senate!" I agonized over which corporate logos to use. Boss Tweed is back, with a Trump wig and MAGA hat.

https://pluralistic.net/2024/11/12/the-enemy-of-your-enemy/#is-your-enemy

A diptych. On the left side, a dragon is biting the head off a man, posed on the 'Hell' background from Bosch's 'Garden of Earthly Delights.' The serpent has the glaring red eye of HAL 9000 from Kubrick's '2001: A Space Odyssey.' On the right, a saluting, smiling gas-jockey stands beside a vintage gas-pump, against a background cropped from the 'Heaven' third in 'Earthly Delights.' The pump's logo has been replaced with an oval of 'code waterfall' effect as seen in the credit sequences of the Wachowskis' 'Matrix' movies. The other panels and signage on the pump have been replaced with Right to Repair logos: a fist holding an adjustable wrench and a crossed wrench and hammer icon.
Antiusurpation and the road to disenshittification

A diptych! Both sides' backgrounds come from Bosch's "Garden of Earthly Delights" – hell on the left, heaven on the right. The happy gas-jockey's old-fashioned ethyl pump divides the scene. The head-devouring dragon (with HAL 9000's eye) is a delightfully gory detail from Goltzius's 1183 painting of a couple guys having a hard time indeed.

https://pluralistic.net/2024/11/07/usurpers-helpmeets/#disreintermediation

(Image: Cryteria, CC BY 3.0, modified)

A painting of Ulysses tied to the mast, beset by flying sirens. The sirens' wings have been replaced with the Bluesky butterfly wing logo. On the deck of Ulysses' trireme is a giant poop emoji.
Bluesky and enshittification

I know, canonically the sirens who tempted Ulysses were merfolk, not half-woman/half-birds, but all the merwoman versions have a ton of naked breasts in them, and frankly, Waterhouses's 1891 "Ulysses and the Sirens" just rips. It took a lot of fiddling with the perspective tool and the clone brush to swap their bodies for the Bluesky butterfly wings, but it still looked weird until I mapped in a kind of scaly, butterfly wing texture.

https://pluralistic.net/2024/11/02/ulysses-pact/#tie-yourself-to-a-federated-mast

A painting of Moses parting the Red Sea, with terrified and grateful Israelites around his feet and an onrushing army of charioteers in pursuit. Moses has been replaced with a vintage editorial cartoon depicting Uncle Sam as a stern cop holding out a billyclub, on his breast is the crest of the Consumer Finance Protection Bureau. The roiling Red Sea has been overlaid with a US $100 bill.
Shifting $677m from the banks to the people, every year, forever

I replaced Moses parting the Red Sea with Keppler's Uncle Sam Cop, but something still wasn't right. Then I figured out how to turn the Red Sea into a giant, aquatic US $100 bill (loooove that intaglio!) and it was awesome.

https://pluralistic.net/2024/11/01/bankshot/#personal-financial-data-rights

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This day in history (permalink)

#15yrsago Major record labels rip off 300,000 songs for compilation CDs, may owe $60 billion in damages https://thetyee.ca/Mediacheck/2009/12/09/ChetBakerSuit/

#15yrsago Woman has fingerprints swapped to fool immigration http://news.bbc.co.uk/1/hi/world/asia-pacific/8400222.stm

#15yrsago Airmile hackers use mileage credit-cards to buy $1 coins that they use to pay the CC bills https://web.archive.org/web/20150125163822/https://www.wsj.com/articles/SB126014168569179245

#15yrsago Streaming doesn’t exist https://www.theguardian.com/technology/2009/dec/08/music-streaming-cory-doctorow

#15yrsago The dumbest thing I heard anyone say in 2009 https://memex.craphound.com/2009/12/08/the-dumbest-thing-i-heard-anyone-say-in-2009/

#10yrsago Parable of the Polygons: segregation and “slight” racism https://ncase.me/polygons/

#10yrsago Republicans in Michigan House pass religious bigotry bill https://www.thenewcivilrightsmovement.com/2014/12/breaking_michigan_house_passes_religious_license_to_discriminate_bill/

#10yrsago Judge Posner: it should be illegal to make phones the government can’t search https://www.pcworld.com/article/436729/judge-give-nsa-unlimited-access-to-digital-data.html

#10yrsago Spies can’t make cyberspace secure AND vulnerable to their own attacks https://www.theguardian.com/technology/2014/dec/07/north-korea-sony-pictures-regin-gchq-nsa-snowden-belgacom

#10yrsago Chinese government wants to ban puns https://www.theguardian.com/world/2014/nov/28/china-media-watchdog-bans-wordplay-puns

#10yrsago Dumping a huge bag of plastic balls onto an escalator https://www.youtube.com/watch?v=c5P-c7rc4bA

#10yrsago Stats-based response to UK Tories’ call for social media terrorism policing https://www.theguardian.com/uk-news/2014/dec/02/youre-the-bomb-are-you-at-risk-from-anti-terrorism-algorithms-automated-tracking-innocent-people

#10yrsago Detoxing is bullshit https://www.theguardian.com/lifeandstyle/2014/dec/05/detox-myth-health-diet-science-ignorance

#5yrsago The lawyer who caught UNC giving $2.5m to white nationalists orders the white nationalists to create a $2.5m fund for Black students or face a lawsuit https://indyweek.com/news/orange/t-greg-doucette-threatens-to-sue-sons-of-confederate-veterans/

#5yrsago A teenager describes his hilarious adventures installing a surplus, 1,500lb mainframe in his parents’ basement https://www.youtube.com/watch?v=45X4VP8CGtk

#5yrsago Cops and spooks all over the world rely on a junk-science “walking polygraph” method to steer their investigation https://www.propublica.org/article/why-are-cops-around-the-world-using-this-outlandish-mindreading-tool

#5yrsago Antipolygraph.org publishes secret guidelines for the federal “Test for Espionage and Sabotage,” a psuedoscientific feature of government life https://antipolygraph.org/blog/2019/12/08/ncca-test-for-espionage-and-sabotage-administration-guide/

#5yrsago After sweeping election victories, Hong Kong protesters stage massive demonstrations marking their 6-month anniversary https://web.archive.org/web/20191207235555/https://news.yahoo.com/hong-kong-democracy-protesters-aim-massive-turnout-rare-210115805.html

#5yrsago One of the poorest, most desperate regions in Appalachia is experiencing an economic miracle thanks to fiber run by a New Deal-era co-op https://www.newyorker.com/tech/annals-of-technology/the-one-traffic-light-town-with-some-of-the-fastest-internet-in-the-us

#1yrago "If buying isn't owning, piracy isn't stealing" https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

#1yrago An adversarial iMessage client for Android https://pluralistic.net/2023/12/07/blue-bubbles-for-all/#never-underestimate-the-determination-of-a-kid-who-is-time-rich-and-cash-poor

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A grid of my books with Will Stahle covers..

Latest books (permalink)


A cardboard book box with the Macmillan logo.

Upcoming books (permalink)

  • Picks and Shovels: a sequel to "Red Team Blues," about the heroic era of the PC, Tor Books, February 2025

  • Unauthorized Bread: a middle-grades graphic novel adapted from my novella about refugees, toasters and DRM, FirstSecond, 2025


Colophon (permalink)

Today's top sources:

Currently writing:

  • Enshittification: a nonfiction book about platform decay for Farrar, Straus, Giroux. Status: first pass edit underway (TKs and FCKs)

  • A Little Brother short story about DIY insulin PLANNING

  • Picks and Shovels, a Martin Hench noir thriller about the heroic era of the PC. FORTHCOMING TOR BOOKS FEB 2025

Latest podcast: Spill, part five (a Little Brother story) https://craphound.com/littlebrother/2024/12/01/spill-part-five-a-little-brother-story/

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"When life gives you SARS, you make sarsaparilla" -Joey "Accordion Guy" DeVilla

2

Yaaaaaaaay! Of all your end of year recaps, these are rapidly becoming my favorite. Before tech my background was in print where I was practically raised in a print shop. This was during the dawn of desktop publishing with unfettered access to all kinds of equipment from a very young age. All that to say, this stuff is in my blood and these behind the scenes looks are incredible, thank you!

Asking anyone to choose a favorite here is cruel, but I’ve been in love with the Amazon take on Bosch from the first moment I saw it and I think it still comes out on top for me. It’s just perfect, I wouldn’t change a thing.

I’m also a huge fan of the Keppler’s and even moreso how you’ve used them. I agree wholeheartedly with your Rockwell comparison and I’ve been surprised to discover how many of these things that have stuck in my mind over the years were all Keppler. As a result the Standard Oil octopus take on Google is a close second for me, I love that one too.

I realized while reading this post just how many things I missed in these images throughout the year. Mostly due to primarily reading your blog on my phone where the tiny screen does not do them justice; I really need to start viewing the art on my desktop so I can appreciate all the little details. I’m especially guilty of missing things in the backgrounds and it was really cool hearing where a lot of those less recognizable elements came from.

Your point about the difficulty in trying to illustrate extremely abstract (and complex) ideas is spot on but you’re nailing it and I think it’s time well spent; it’s great to hear you also enjoy it.

I’ve been using kagi since you mentioned it and I’m sold (burned through my 100 free searches in no time and went pro, hah). It really does feel like 2004 again, but better. re: “site:loc.gov”; have you seen their custom bangs feature? Check it out to turn that into e.g. !l - awesome! Thanks so much for that mention.

On depicting “Interoperability” I will admit I totally missed that was a banged up USB-C port and wasn’t entirely sure what you were going for there, but I forgot to ask about it at the time. I would be tempted to show it with proprietary connectors, or mismatched ones, like square peg/round hole kinda things. That would make the most sense to me as typically the subject is something which purposefully DOES NOT interoperate (and in turn would require adversarial interoperability/ComCom to make it so in a DMCA 1201-free world). It seems to me any two similar but incompatible things make a good visual metaphor on interoperability (by counter example)… like a VHS cassette in a toaster, a DVD player tray as a cup-holder, a gas pump in a Tesla, etc. These funny visuals are a hook to the explanation that companies want us to believe a Microsoft Office doc is as incompatible with a Mac as a Tesla is with Gasoline which is obviously ridiculous and false. Maybe it’s too much of a stretch but depending on the subject matter of the post there might exist some more appropriate juxstapositions to use.

Anyway, thanks for a great read and I’ll once again reiterate that it would be awesome to someday be able to buy an art book with all these broken down with their source material. It would be really cool!

remarkably terrible

3

Thank you for this - you’re right, those are great ideas for interop.